Like most students, I started back at university this week, and the first thing that I can say is that it is great to be back and studying music again after 4 months! The second thing I can say however is that I have certainly got my work cut out for me this year. But that's not a bad thing as I love what I do and I love studying music, and I want to get good grades and in order to do that I have to work hard! I'm also paying 3 grand a year to take this course so I would expect it to be quite challenging anyway!
All that aside, what I really wanted to talk about today was something that' has been playing on my mind all week. On Tuesday I had my first proper lecture of the year and was briefed on my new assignment. In this lecture, Pat (my tutor), said something that turned about to be very thought provoking. He said “when you have all finished this degree, how are you going to start your lives in the music industry? Because you can't very well go up to the Rolling Stones and say 'I've got a degree in popular music, can I be in your band?'”. This is a sentence that I have been dwelling on all week, I have of course thought about what I'm going to do once I finish university. For quite a long time I thought I'd spend a year at Drum Tech, an option still open to me. But recently I've been starting to think that maybe I don't want to spend all that money there learning things that I've probably covered whilst doing my degree anyway! The other thing about going to Drum Tech for a year is that it means I'll be in the classroom for another year! Could I maybe learn more about drumming in the music industry by actually going out and doing it for myself?
Teaching
Obviously, the dream is to be a full time session drummer, always in the studio and on the road, I target which is not unreachable but certainly quite high up there! And before I even get close to making it as a full time drummer, I am probably going to have to teach for a few years in order to make a living.
Teaching is something that I have often considered doing. Its not something that I'd want to do full time, but it does bring in consistent money and I do have to make a living. There are also lots of different options available to me in teaching, I could teach privately, I could teach in a school, I could teach adult learning, I could even teach on a B-tec course like the one I took at OCVC. There are plenty of different options and the chances are I will end up doing most of those things at some stage. One idea that I did have was that I'd set up my own teaching business once I've finished uni, teach privately in my home town Bicester. Right now that's just an idea but you never know where things are going to lead.
Journalism
One of the main reasons I started writing this blog was because I would love to one day write for a drumming or music magazine. And when I say music magazine, I mean Magazines such as Rhythm, Drummer, Sound On Sound and so on. Magazines that write about musicians not celebrities. I'm not at all interested in writing for NME or Kerrang where I can write about what ever the Magazine thinks is popular, and I certainly don't want to be dictating to people what they should listen to. I want to write for musicians, I want to write about something that another drummer would be interested in reading, even if they don't agree with me! One of my all time biggest dreams is to write for Rhythm magazine and for people to read my articles about the latest drum kits or interviews with famous drummers, not about their personal life's, but about their drumming techniques, where they learnt to play, what equipment they use and so on and so forth!
The Real Thing
Of Course, there is always the possibility that I get lucky, get behind the right act and work incredibly hard and some how make it as a professional player. Its not entirely unrealistic, it would take a hell of a lot of work, and loads of self believe, but it is doable, it has been done! And there is nothing to stop me writing and teaching as well to keep the money coming in. I have always liked the idea of being on tour with a band as a drummer and tour manager. Often people don't have the money to be able to hire a tour manager on top of a band, and I really feel like I could fit the bill! Part of me would really like the band I'm with at the moment to make it, The Lauren Bannon band. They are all hard working guys with a lot of talent and some decent potential. Lauren has some great songs, I'd really like to record an EP and go on a toilet venue tour next year to kick start the band's career. I would also like to film a music video to put on youtube, just to get our name out there a bit. I'd really like to see Lauren Bannon make it, but there will be so much work to do before that! You never know what will come along.
Hopefully, I will be able to make it as a professional player, but the chances are I will also have to do a combination of teaching, management and journalism as part of my musical career. But I think if I did all those things, I would be very happy!
Unrelated
On a completely unrelated note, I would like to add that I am on a course with some fantastic musicians. Ever week we have a music workshop where everyone has to individually learn a track and then on the workshop day, a band has to go on stage and play it. These sessions are great because we always learn so much from them. But I would just like to mention that this week's track was Pinball Wizard by The Who, not an easy track to learn for the first day back. They guys that went on stage nailed it almost first time which, needless to say, takes a lot of skill. So I would like to say that I work some some very skilled musicians, and I hope its not too cheesy to say that I feel Privileged to do so!
Thursday, 30 September 2010
Sunday, 26 September 2010
C7's and Bang Tail Feather
Yesterday evening, I was back home in Bicester watching my younger brother's band, The C7's, perform at one of their first big gigs. They were supporting Band Tail Feather who are an already established local Jazz band. The C7's are a quartet consisting of piano (Dan Crook), Bass, Drums and Sax. The band write their own music and, even without considering their age, were absolutely brilliant. And I'm not just saying that because they are my brother's band! The band were dead tight, very imaginative and were very talented as a group and as individuals. Each one of them stood out and every part was essential to the sound, none of it was obsolete. Last night made me think back to when Dan first got the band together and how they very quickly clicked as a group and started writing to killer jazz tracks. Of course, being the older brother, I never mentioned this to Dan, but I found it impossible not to be impressed listening to them practice all those years ago. And to see them live really brought out the talent and hard work that all of them had put into their music.
Material
As Bang Tail Feathers are a cover band, I can't really say very much about their material because they don't write their own. So I'm going to look at The C7's material and what it is about them that makes them so good. Most of the songs they played last night were lead by the piano. I love listening to Dan play because he has a very particular style of playing that I rarely hear anywhere else. It's kind of a mix between blues, jazz and fusion with plenty of swing thrown into the mix. For as long as I can remember, Dan has loved to play the piano and particularly jazz, and he has always loved to swing, even if he's not aware of it almost everything he writes is very heavily swung. This is going to sound odd but that is Dan's personality coming out through his music. To me, Dan's is one of those people who just plays what they feel, what they think is cool. He's never written for a particular audience, he just writes what he feels which is very refreshing.
Performance
So that's where, I think, the inspiration for the music comes from. But what about the rest of the band? The music wouldn't be anywhere near as good with out the bass, drums and fantastic lead lines from the sax. Unfortunately for Lewis (the bass player) the stage was poorly lit, and he was stood in the darkest part of the stage making it quite difficult for us to see him, but that certainly didn't stop us hearing him! He had some really cool bass lines which really filled the gaps between the drums and the piano and laid a great foundation for the Sax. He walked freely around the bass making some really interesting bass lines that suited the songs perfectly. Considering Lewis is a self taught bassist, he had a great understanding of music and dynamics and performed very well.
Gemma, the Sax player, played really well. She had lots of lead lines that worked nicely with what Dan was playing on the piano. Her sax sound was clear and had a really nice tone. Gemma improvised really well and Dan had obviously written his music with lead lines in mind for the Sax. She has an excellent understanding of music and a really good understanding of how their style works.
The C7's regular drummer James, who I happen to know is a really good drummer, was unavailable to play at the show last night. Instead the band had Jesse fill in for them. I've known Jesse for a number of years and he easily one of, if not the best drummer I know and I always learn from listening to him play. I met Jesse whist playing in a youth Jazz band in Oxford and in Kidlington. I always loved listening to him play Jazz because he would put a fantastic grove onto everything we played with lots of exciting and clever fills as well as some really tasty hi-hat work. Last night was no exception to this, Jesse was tight and very musically aware. Considering he said he didn't know the set very well he played beats and groves that suited the music brilliantly. I imagine that James has gone through he songs with him before as he played fairly similar stuff to what I've her James play, but it was none the less a very impressive performance.
Best of Luck
The performance from both bands was fantastic, and nobody should ever underestimate the difficultly of being able to play covers well so I give all credit to Band Tail Feather. However I have never been more proud to be Dan's brother than when I saw him get on that stage and play like he did. I would also encourage him to sing more, as last night was the first time I'd ever really herd him sing and he was fantastic. The C7's as a whole put on a remarkable performance and I genuinely they continue to play together and produce more material. I would also like to add that these guys are all only 16-18 years old, I think we can expect many more great things to come from these musicians.
Material
As Bang Tail Feathers are a cover band, I can't really say very much about their material because they don't write their own. So I'm going to look at The C7's material and what it is about them that makes them so good. Most of the songs they played last night were lead by the piano. I love listening to Dan play because he has a very particular style of playing that I rarely hear anywhere else. It's kind of a mix between blues, jazz and fusion with plenty of swing thrown into the mix. For as long as I can remember, Dan has loved to play the piano and particularly jazz, and he has always loved to swing, even if he's not aware of it almost everything he writes is very heavily swung. This is going to sound odd but that is Dan's personality coming out through his music. To me, Dan's is one of those people who just plays what they feel, what they think is cool. He's never written for a particular audience, he just writes what he feels which is very refreshing.
Performance
So that's where, I think, the inspiration for the music comes from. But what about the rest of the band? The music wouldn't be anywhere near as good with out the bass, drums and fantastic lead lines from the sax. Unfortunately for Lewis (the bass player) the stage was poorly lit, and he was stood in the darkest part of the stage making it quite difficult for us to see him, but that certainly didn't stop us hearing him! He had some really cool bass lines which really filled the gaps between the drums and the piano and laid a great foundation for the Sax. He walked freely around the bass making some really interesting bass lines that suited the songs perfectly. Considering Lewis is a self taught bassist, he had a great understanding of music and dynamics and performed very well.
Gemma, the Sax player, played really well. She had lots of lead lines that worked nicely with what Dan was playing on the piano. Her sax sound was clear and had a really nice tone. Gemma improvised really well and Dan had obviously written his music with lead lines in mind for the Sax. She has an excellent understanding of music and a really good understanding of how their style works.
The C7's regular drummer James, who I happen to know is a really good drummer, was unavailable to play at the show last night. Instead the band had Jesse fill in for them. I've known Jesse for a number of years and he easily one of, if not the best drummer I know and I always learn from listening to him play. I met Jesse whist playing in a youth Jazz band in Oxford and in Kidlington. I always loved listening to him play Jazz because he would put a fantastic grove onto everything we played with lots of exciting and clever fills as well as some really tasty hi-hat work. Last night was no exception to this, Jesse was tight and very musically aware. Considering he said he didn't know the set very well he played beats and groves that suited the music brilliantly. I imagine that James has gone through he songs with him before as he played fairly similar stuff to what I've her James play, but it was none the less a very impressive performance.
Best of Luck
The performance from both bands was fantastic, and nobody should ever underestimate the difficultly of being able to play covers well so I give all credit to Band Tail Feather. However I have never been more proud to be Dan's brother than when I saw him get on that stage and play like he did. I would also encourage him to sing more, as last night was the first time I'd ever really herd him sing and he was fantastic. The C7's as a whole put on a remarkable performance and I genuinely they continue to play together and produce more material. I would also like to add that these guys are all only 16-18 years old, I think we can expect many more great things to come from these musicians.
Thursday, 9 September 2010
Gig number 3
So I had my 3rd gig with Lauren Bannon on Monday night, at The Winchester pub in Bournemouth. The night got off to an interesting start, its always interesting when you turn up to a show having been told to only bring your breakables and then the promoter says to you as soon as you're through the door “We need your drum kit on stage asap”! Unfortunately for us, the headlining band had dropped out and we were to replace them as headliners which meant we needed a kit, the promoter had left us a message on Lauren's Facebook, informing us that we needed to bring a kit, but we hadn't checked it. If we had, we might've been able to say that my drum kit lives in Bicester, and there was no way I'd be able to get it there! Luckily, the only drummer playing that evening lived locally, and was able to have somebody drive in his kit, this did of course mean that the gig got off to a late start, and considering it was supposed to start at 9, meant it was going to be very late by the time we played!
Once the gig did get started however, it turned out to be a really good night. First on was an acoustic act, female singer and her guitar player. I wasn't sure of her name but we had played a gig with her before and I recognised her remarkable voice. The first time I herd her sing, it took me a while to get it, she sings in sort of a ballad type way and uses a lot of minor keys and odd guitar tuning. She has a big voice that fills up the room and her lyrics are just a little bit dark, one of the more memorable songs being “Murder Ballad”! But she was very good and I enjoyed her set, the only thing that I would maybe suggest is possibly having more instruments behind her, maybe some strings and a piano? But that''s just my opinion.
The next act on seemed like a bit of a reunion. I was told before turning up to the gig that we were playing for the 10th anniversary of “Solid Air”. I've not herd of them before but that is probably down to me not being local. Solid Air, from what I gather, are a promotions company who run regular gigs in Bournemouth and get plenty of local bands to play for them. The main guy, not sure of his name, was playing with this group and said a few things about Solid Air, there was also a very good birthday cake. The band were pretty good, considering they hadn't performed as a group before, and their music was really enjoyable and brought a great atmosphere into the pub. I really enjoyed their set but by the end of it, I was itching to get on stage.
Our Set
It was about 10 past 11 when we got on, so sadly, the pub and mostly emptied, but there were still about 15 patient people who sat through our set, and to be fair to them, made a fair amount of noise between songs. I felt the set went very well, and certainly the rehearsal time put into it really paid off. Me and Kris were much tighter and put together a much better grove. I still really feel the need to expand the band, and certainly we missed the presence of the bass player! It sounded good to me, Lauren sounded the best I'd ever herd her so that was really good. I still think they we are looking at these as practice gigs, trying to build the band and make it tighter before we start pushing the band as far forward as we can take it. Our next gig is on Saturday, in Bournemouth, not sure exactly where though, but it is during the day. I'm dead excited for that one!
Once the gig did get started however, it turned out to be a really good night. First on was an acoustic act, female singer and her guitar player. I wasn't sure of her name but we had played a gig with her before and I recognised her remarkable voice. The first time I herd her sing, it took me a while to get it, she sings in sort of a ballad type way and uses a lot of minor keys and odd guitar tuning. She has a big voice that fills up the room and her lyrics are just a little bit dark, one of the more memorable songs being “Murder Ballad”! But she was very good and I enjoyed her set, the only thing that I would maybe suggest is possibly having more instruments behind her, maybe some strings and a piano? But that''s just my opinion.
The next act on seemed like a bit of a reunion. I was told before turning up to the gig that we were playing for the 10th anniversary of “Solid Air”. I've not herd of them before but that is probably down to me not being local. Solid Air, from what I gather, are a promotions company who run regular gigs in Bournemouth and get plenty of local bands to play for them. The main guy, not sure of his name, was playing with this group and said a few things about Solid Air, there was also a very good birthday cake. The band were pretty good, considering they hadn't performed as a group before, and their music was really enjoyable and brought a great atmosphere into the pub. I really enjoyed their set but by the end of it, I was itching to get on stage.
Our Set
It was about 10 past 11 when we got on, so sadly, the pub and mostly emptied, but there were still about 15 patient people who sat through our set, and to be fair to them, made a fair amount of noise between songs. I felt the set went very well, and certainly the rehearsal time put into it really paid off. Me and Kris were much tighter and put together a much better grove. I still really feel the need to expand the band, and certainly we missed the presence of the bass player! It sounded good to me, Lauren sounded the best I'd ever herd her so that was really good. I still think they we are looking at these as practice gigs, trying to build the band and make it tighter before we start pushing the band as far forward as we can take it. Our next gig is on Saturday, in Bournemouth, not sure exactly where though, but it is during the day. I'm dead excited for that one!
Tuesday, 7 September 2010
Last Train Home...
So I was listening to Lostprophets earlier today, and I got to thinking about how their drummer, for the “Start Something” album, creates a really good example of brilliant musicianship and creativity for drummers in that album. The three main things that Mike Chiplin (Lost Prophets 1997- 2005) demonstrates are:
Great use of accents and tap strokes
really good use of the high hats to change the feel of the track
expertly performing to a click track
These are all things that are really important in terms of musical drumming. And what I mean by that is drumming that adds to the track, that gives it just a little bit more personality with out over powering the rest of the band. More importantly he executes these things with 100% accuracy, I really want to stress the importance of being accurate with your playing, its no good being able to throw in lots of licks and ghost notes if it throws you and everyone else off the beat. The most important thing is the grove. So I'm going to look at those three things in detail so that I can explain exactly what I mean.
Accents and Tap Strokes
The track that inspired this title for me is Last Train Home (hence the post title). Listening to the drumming in the verse, you can hear the use of tap strokes and accents clearly on the snare drum. Chiplin starts by accenting the off beats before moving the accent around, still using semi-quavers, but playing a syncopated pattern with the accents to change the feel of the grove. Pay attention to how he uses doubles and tap strokes in the verse, they are quiet and controlled which means his accents don't need to be loud, as they sound load anyway in comparison to the tap strokes. My uni teacher said to me once that “ghost notes should be felt rather than herd”. Obviously you can hear ghost notes, but they should be so quiet that it seems more like a feeling than a sound. This is something that is really important to think about when drumming musically. Remember that good control over all your strokes allows you to be as creative as you want with your drumming.
Hi-Hat feel
To really get an idea for how to get a great hi-hat sound and dynamic range, you should listen to Chiplin's drumming on the track “I don't know”. Here he demonstrates how you can use the high hats to sound tight and metronomic and then washy and loud, as well as throwing in lots of great hi-hat licks. So the track opens with a clean, electric guitar, and Chiplin uses an up tempo beat, opening and closing the hi-hats to accent the guitar rhythm. He also throws in some short licks on the closed hats to give a cool and controlled feel. When the verse kicks in, Chiplin then uses a closed hi-hat sound and plays a straight solid beat occasionally opening the hats for fills. This changes the feel for the whole song making it sound crisper and even. Already we have a great demonstration of how to use your hi-hats to instantly change the feel of the song. A simpler example of this in rock would be using closed hi-hats during the verse and then using open hi-hats in the chorus to make that load, washy rock hi-hat sound that we all love. Going back to the Lostprophets track, in the pre-chorus, where the track goes into a half time feel, Chiplin gradually goes from closed hi-hats into open so that by the end of the pre-chorus he has created a great Crescendo to go into the chorus and ride on the crash. This is a great tool for any genre, but it particularly common in rock music.
Click Track
Performing to a click track takes loads of practice, and there isn't really loads of advice I can give you about that other than to keep listening to yourself and make sure that your feet and hands are in sync and dead on the click. After that its just practice practice practice! You should be aiming to get to the point so that when you are playing a grove, you can't even hear the click, that's how in time you are, and then you can start concentrating on pulling in all your licks and fills in time with the click too. On all of the tracks in this album (Start Something) you can clearly hear how tight and accurate everything that Chiplin plays is. This is partly because he will have been given plenty of time to get a perfect take in the studio, but it is also partly due to hard practice, again and again to a click.
Conclusion
Its fair to say that I am a big Lostprohets fan, so I could be a bit biased. But I do really believe in everything that I've written and I have personally learn just from listening to all of their music because they are, as a whole, very clever and talented musicians and they are well worth listening to. They also put on an amazing live show :).
Great use of accents and tap strokes
really good use of the high hats to change the feel of the track
expertly performing to a click track
These are all things that are really important in terms of musical drumming. And what I mean by that is drumming that adds to the track, that gives it just a little bit more personality with out over powering the rest of the band. More importantly he executes these things with 100% accuracy, I really want to stress the importance of being accurate with your playing, its no good being able to throw in lots of licks and ghost notes if it throws you and everyone else off the beat. The most important thing is the grove. So I'm going to look at those three things in detail so that I can explain exactly what I mean.
Accents and Tap Strokes
The track that inspired this title for me is Last Train Home (hence the post title). Listening to the drumming in the verse, you can hear the use of tap strokes and accents clearly on the snare drum. Chiplin starts by accenting the off beats before moving the accent around, still using semi-quavers, but playing a syncopated pattern with the accents to change the feel of the grove. Pay attention to how he uses doubles and tap strokes in the verse, they are quiet and controlled which means his accents don't need to be loud, as they sound load anyway in comparison to the tap strokes. My uni teacher said to me once that “ghost notes should be felt rather than herd”. Obviously you can hear ghost notes, but they should be so quiet that it seems more like a feeling than a sound. This is something that is really important to think about when drumming musically. Remember that good control over all your strokes allows you to be as creative as you want with your drumming.
Hi-Hat feel
To really get an idea for how to get a great hi-hat sound and dynamic range, you should listen to Chiplin's drumming on the track “I don't know”. Here he demonstrates how you can use the high hats to sound tight and metronomic and then washy and loud, as well as throwing in lots of great hi-hat licks. So the track opens with a clean, electric guitar, and Chiplin uses an up tempo beat, opening and closing the hi-hats to accent the guitar rhythm. He also throws in some short licks on the closed hats to give a cool and controlled feel. When the verse kicks in, Chiplin then uses a closed hi-hat sound and plays a straight solid beat occasionally opening the hats for fills. This changes the feel for the whole song making it sound crisper and even. Already we have a great demonstration of how to use your hi-hats to instantly change the feel of the song. A simpler example of this in rock would be using closed hi-hats during the verse and then using open hi-hats in the chorus to make that load, washy rock hi-hat sound that we all love. Going back to the Lostprophets track, in the pre-chorus, where the track goes into a half time feel, Chiplin gradually goes from closed hi-hats into open so that by the end of the pre-chorus he has created a great Crescendo to go into the chorus and ride on the crash. This is a great tool for any genre, but it particularly common in rock music.
Click Track
Performing to a click track takes loads of practice, and there isn't really loads of advice I can give you about that other than to keep listening to yourself and make sure that your feet and hands are in sync and dead on the click. After that its just practice practice practice! You should be aiming to get to the point so that when you are playing a grove, you can't even hear the click, that's how in time you are, and then you can start concentrating on pulling in all your licks and fills in time with the click too. On all of the tracks in this album (Start Something) you can clearly hear how tight and accurate everything that Chiplin plays is. This is partly because he will have been given plenty of time to get a perfect take in the studio, but it is also partly due to hard practice, again and again to a click.
Conclusion
Its fair to say that I am a big Lostprohets fan, so I could be a bit biased. But I do really believe in everything that I've written and I have personally learn just from listening to all of their music because they are, as a whole, very clever and talented musicians and they are well worth listening to. They also put on an amazing live show :).
Friday, 3 September 2010
And the Student Life Begins again!
As you can probably guess from the title, I have now moved back to Southampton ready to start my second year on the Popular Music Performance (Hons) degree at Solent University. And I would be lying if I said that I wasn't excited to be back. I have moved into a student house along with 5 other guys, which will be interesting in itself! And I have finally unpacked all my things and set up my precious Yamaha DTX in my room ready for silent practising! So all in all I'm pretty settled, and revved up for another full on year in Southampton. I have already said that I am going to try to attend more local gigs while I' m here, and so far have spotted 2 or three that, on the condition I have the money to, would like to attend, Frank Turner and Sum 41 at the Guildhall being the main ones coming up. I am also looking to fit in at least 2 hours of practice a day, which is easily doable at the moment as uni has not yet started, but I am starting a new part time job next week, that, coupled with my lectures, uni work, and (hopefully) a social life may prove to make 2 hours a day a bit of a challenge. I like a challenge! I'm beginning to think that the best course of action is to make a strict schedule for my week, noting in my practice and work time so that then hopefully, I can get everything done and still go out for a quick drink at the end of the day! That may be slightly unrealistic but I'm an optimist!
Gigs
I mentioned last week that I'm now playing drums for Lauren Bannon, and on Monday I have my first rehearsed gig with them. I say my first rehearsed gig because I have already done 2 gigs with them with no rehearsal at all, something that I am not very comfy with! But somehow they seemed to come off quite well. But now we have rehearsed the set to perfection, in one rehearsal, a few weeks ago! Fortunately we are having another practice tomorrow just to run through everything. Me and Kris have slightly different ideas about how a band should practice, I'm the kind of guy that like to practise every inch of the set to absolute perfection and be completely anal about regular rehearsals before I even think about playing a gig, and Kris has the more laid back attitude of “I know the songs, you know the songs, it will all be ok!”. Somehow, when you put the two together I think you get the perfect mix! So on Monday (6th September), we have our first rehearsed gig together, and I'm really hoping that the thought and practice that me and Kris have put in to the drum parts will pay off and it will be a really good show. Its in Bournemouth at a put called the Winchester. I have no idea where that is but if you do, and fancy a good evening of live music (there are other bands playing too) then please come down as the support would be great.
Gigs
I mentioned last week that I'm now playing drums for Lauren Bannon, and on Monday I have my first rehearsed gig with them. I say my first rehearsed gig because I have already done 2 gigs with them with no rehearsal at all, something that I am not very comfy with! But somehow they seemed to come off quite well. But now we have rehearsed the set to perfection, in one rehearsal, a few weeks ago! Fortunately we are having another practice tomorrow just to run through everything. Me and Kris have slightly different ideas about how a band should practice, I'm the kind of guy that like to practise every inch of the set to absolute perfection and be completely anal about regular rehearsals before I even think about playing a gig, and Kris has the more laid back attitude of “I know the songs, you know the songs, it will all be ok!”. Somehow, when you put the two together I think you get the perfect mix! So on Monday (6th September), we have our first rehearsed gig together, and I'm really hoping that the thought and practice that me and Kris have put in to the drum parts will pay off and it will be a really good show. Its in Bournemouth at a put called the Winchester. I have no idea where that is but if you do, and fancy a good evening of live music (there are other bands playing too) then please come down as the support would be great.
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